a virtual tour ‘I cannot let myself be stared at for eight hours daily.’ —Sigmund Freud, to Hanns Sachs Small wonder it seems so petite, first time you walk into the room. Imagine the genteel women who lay there long before you, heads angled just so, raising their inner tides only high enough to where they might be seen. Kilim, kilim everywhere, to rival a fakir’s reception tent— a silky Shekarlu draped end to end on the chaise. A wind-worn Kirsehir tacked humbly to the wall, cradle of ancient bedclothes. And blanketing half the floor, a grand Khorasan, bayou of silent incantation. Lying down for the first time here, you do not need to know the rugs were patterned from memory, under barest sun, to deflect hostile demons and attract benevolent kin. Or that woven birds gliding on invisible lakes are underworld intercessors between you and the man in silent listening seated just beyond reach of your inward-turning gaze. The rugs pacify you. Make you want to dance naked, eyelids half-closed, under canopies of empty light. Sharp wings unfold in your marrow to penetrate carpet’s cryptogram, surrogate for a faraway motherly lap. The blood and pink of parturition —insistent, vermilion desert yarn— exhaust a field of deep night basins sewn into the weft of soul. Like pilgrims to Imam Reza’s shrine you travel long and hard, pursuing something like oasis in arid cupfuls of loss. Shards of evening sky draw you to the weavers as they pull up tent stakes, embarking for winter’s pasture. It takes them under an hour to pack an entire nomad city, then trudge steady over alpine crags to palmy sweetgrass and sage. It takes you a lifetime or more to walk across the room and lie here, just lie here without looking at the man who sits still as a loom under the Turkmeni sun, waiting for you to rise. //////// Stephanie JT Russell's poetry is a meditation on the pathos of ephemeral experience. She treats realms of human experience as fleeting works of art in and of themselves, amplifying the subtle impacts of people, places, and memory. A prolific interdisciplinary artist, published author, editor, essayist, and cultural worker, the most recent of her nine creative nonfiction books is One Flash of Lightning, a poetic treatment of the classical samurai code (Andrews McMeel). Russell’s poetry is anthologized in books and journals such as Words Upon the Water, Oakland Out Loud, Xavier Review,The Winter Anthology, Silver Birch, and Sequestrum. Russell’s full-length poetry manuscript was shortlisted for the 2019 Word Works Washington Prize. Her visual art, poetry, and performance works have been presented at venues such as The Griffin Museum of Photography, The New Museum, The Albright Knox Gallery, The Ampex American Music Festival, Bowery Poetry Club, and numerous other venues.
Lightwood 
Exquisite imagery, movement, fire, extending a moment of experience into lifetimes.
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